Space Artist #5: Angelo Vermeulen uses art as a means to forecast space ecology

Belgian-born Angelo Vermeulen describes himself as a space researcher, a biologist, an artist, a community organizer, and an astronaut candidate. Although he initially studied ecology, he chose to focus on art, a decision he readily explains: science alone stifled his creativity; it was not enough to unlock his full potential. Not one to dwell on frustration, he promptly began working on several projects which led to him co-founding the SEADS collective.

Can you explain what SEADS is?
I co-founded SEADS (Space Ecologies Art and Design) in 2009. It is an international transdisciplinary and cross-cultural collective of artists, scientists, engineers and activists. Its members come from all over the world – e.g., the Philippines, Russia, Iran, Belgium, Kosovo, and the United States – with one objective in mind: to deconstruct existing paradigms about the future through theoretical research and hands-on experimentation.

Its community, and the ability to exchange ideas and to co-design, are what make SEADS strong. We believe it is absolutely essential to use a bottom-up approach in order to harness collective intelligence and come up with new, more inclusive and diverse visions for the future. For these reasons, SEADS is based on an open-source model.

Our Biodiversity Tower is a kind of biodiversity machine which is designed like an insect hotel. It won the International Award for Public Art (Eurasia region) conferred by the Institute for Public Art (IPA).

‘@Angelo Vermeulen @SEADS – Biodiversity Tower

Tell us more about your art.
I primarily create artistic installations, but I also use photography, and work with video. I go back and forth between the real, physical world, and the world of imagery, which I tend to become obsessed with.

I personally do not feel there is a conflict between the scientific and biological nature of my work and its artistic and philosophical aspects. A transdisciplinary focus is paramount: I readily combine art, science, engineering and design; it is my way of communicating with the world.

‘@Angelo Vermeulen @SEADS – Seeker

Can you tell us more about the different SEADS projects, such as the Space Farming Project?
Nowadays, the survival of astronauts on crew missions depends on the resources they bring with them from Earth. The premise of the Space Farming Project is that resource autonomy is essential to sustain life in space, particularly for extended periods of time in deep space. Our work focuses on how to combine in situ resources, waste recycling and space agriculture.

The Space Farming Project critically examines the latter: how to provide astronauts, and eventually future colonies, with locally grown food and biogenic oxygen. This will be an essential component for any future outpost in deep space.

From a biopolitics perspective, this is a key challenge. Historically, humankind has proven that colonization and agriculture are intrinsically linked. In the unparalleled conditions of space, however, this problematic relationship is bound to take on new contours, with its own unique set of ideologies and ensuing ethical conflicts. In this project several space prototypes have been developed in collaboration with a diverse community of volunteering technologists, agricultural researchers, teachers, and students.

How does space and ArianeGroup inspire you?
Space, and the origins of life on Earth, remain two of the greatest unsolved mysteries of our time. When I consider space technological advancements, I mainly think of the societal, ethical and biopolitical consequences – both positive and negative – of the spread of the human race in space. I see ArianeGroup, therefore, as a future embodiment of Europe’s capacity to take humans there.

@Angelo Vermeulen – MDRS Crew 122